Royal Ballet and Opera raises the curtain on its rebrand
The London theatre has worked with DesignStudio on a new brand identity that honours its history
The London theatre has worked with DesignStudio on a new brand identity that honours its history
Copenhagen-based artist duo Wang & Söderström discuss why creativity is one of the most powerful tools at our disposal when it comes to articulating humanity’s shifting relationship with technology
Clwb Creative Cymru is platforming Welsh creatives and fostering links across borders through a series of events, including a forthcoming showcase in London
The entertainment company has spent almost two decades bringing movie magic into the real world through immersive screenings. With the launch of a new studio serving commercial clients, can it do the same for brands?
NYC-based designer Naomi Usher talks about the intimate creative process involved in designing posters for experimental theatre
Art collective Marshmallow Laser Feast has joined forces with a stellar array of creatives to create the work at Aviva Studios in Manchester, which while witty and beautifully crafted, will leave a sour taste about corporate life
Since leaving her dream job at the National Theatre in 2018, the independent designer and art director has learned a huge amount about the importance of being resilient and seeking out community
Referencing the theatre’s physical history, past programming, and local community, Pentagram’s Abbott Miller has created a new show-stopping identity for Studio Theatre
Stunning cabaret performances at the Playgrounds and Offf festivals are taking director David Wilson’s work in a new direction. He explains how everything he does is interconnected and why not every director’s ambition is to make movies
Wilson directs the production at Aviva Studios in collaboration with musicians CocoRosie, bringing a focus on tolerance and friendship to the childhood classic
Directed by Danny Boyle, this immersive hip hop dance extravaganza reworks the Matrix for contemporary times and provides a perfect opening ceremony to the new arts space
The illustrator drew inspiration from woodblock prints for the new collection of Shakespeare’s plays published by the Folio Society 400 years after they were originally released