Black and white photo of a circular Mickey Mouse clock on a wall covered in circle patterned wallpaper

Will Green’s new book explores loss and legacy

Shot during the global Covid-19 lockdowns, this series of black-and-white images is a visual manifestation of photographer Will Green’s mindset at the time

Not long after the Covid-19 pandemic arrived in the UK, Bath-based photographer Will Green lost both of his parents to the virus over the course of just two months. House-bound like many others, and also suffering from long Covid himself, his gaze turned inward, and he began documenting small details around his home.

What had originally begun as a project about the city of Bath eventually became a photographic reflection on love, loss and legacy. The result of this series has been released as a book titled Death and Other Belongings, published by Gost.

Black and white close up photo of a dead bee
Top: Mickey Mouse Clock; Above: Dead Bee
Black and white close up photo of bruised skin with stitches
Melanoma Scar and Stitches

“At the time, a project was not a conscious decision. It was more a process of keeping emotionally stable and experimenting with processing techniques and being distracted when possible,” recalls Green. “I am now aware of how many of the images are close-ups. At the time this was not the intention nor considered. Looking back, [this is] because I was focusing so hard on the small details of home and a closed environment, rather than the real world.”

Composed primarily of still life imagery, Green’s monochromatic photographs focus on the mundane, and yet upon closer inspection, there are messages – conscious and subconscious – to be found about death, decay and the passing of time: the stiffened body of a dead mouse, decaying apples in dried leaves, the ghostly structure of an insect’s web.

Black and white photo of dense cobwebs
Untitled
Black and white photo of a person's bare chest with ECG tags attached
Self Portrait with ECG Tags

Human presence in the book is vague, fleeting and, at times, abstract – matted hair on wet bodies, two funeral caskets, the imprint left in a well-worn seat. Green captures these details and scenes with intention, and yet, given the context of the images, there is a pervading sense of passiveness, of looking without really looking; explained by Green’s realisation only later on that many of the images follow a similar style.

In total, there are 48 images in the book, and across the series we are given an insight into Green’s mindset during this period. Naturally, when confronted with such loss, we move between moments of introspection and moments of pure distraction, and both are present in the series.

“Death and Other Belongings is not so much a record of the external events, but rather a narrative study of the emotions and anxiety that came with the circumstances and the realisation of our fragility and mortality,” writes Green in the book’s closing text.

Black and white photo of a person's back facing the camera while sat in the bath
Untitled
Black and white photo of a slide with a dressing gown in a pile next to it
Slide with Discarded Dressing Gown
Black and white photo of hair trimmings on a wooden floor
Haircut

Death and Other Belongings by Will Green is published by Gost; gostbooks.com