Illustrating the future
How can we visualise a world that has not yet come to pass? Here we speak to three illustrators to find out what makes something look ‘futuristic’, and examine whether our visions of the future are in fact rooted in nostalgia
How can we visualise a world that has not yet come to pass? Here we speak to three illustrators to find out what makes something look ‘futuristic’, and examine whether our visions of the future are in fact rooted in nostalgia
Fromm, the studio behind the cover art for our Future issue of Creative Review, talk us through their unique approach to 3D design, which deftly mixes both the old and the new
Accra-based photographer David Nana Opoku Ansah has carved out a style that is thoughtful and evocative. Here he talks about teaching himself his craft and the challenges facing African creatives
The New York-based designer and artist has experienced an organic career involving work at major studios and, more recently, recognition as a painter. Here, he explains why creating meaningful work matters more than age
We speak to three photographers to get their insights into the ethics of travel photography, their personal approaches to imagemaking, plus what makes for a good travel image
Georgina Johnson’s first book, The Slow Grind: Finding Our Way Back to Creative Balance, addresses how our narrow definition of sustainability has created more inequality. Rebecca Fulleylove talks to the multi-disciplinary artist about what needs to change
Having switched from computing to printmaking at the age of 40, Amos Paul Kennedy Jr has since led a life in letterpress. He talks us through his journey
Equal Lens, a platform championing the work of women and non-binary photographers, held a competition of images inspired by lockdown. The winning work, here, is by British photographer Sophie Harris-Taylor
Annie Atkins’ work for movie directors such as Wes Anderson and Steven Spielberg has demonstrated the rich opportunities for graphic designers in film. As part of our Creative Heroes series for our 40th birthday, Atkins talks us through her career
As part of our 40th birthday celebrations, CR is revisiting the alumni from our Creative Futures scheme, which ran for nearly 30 years. Here, we chat with creative duo Ben Middleton and Stu Outhwaite-Noel, who were featured in 2005
For almost 30 years, Creative Review ran a scheme called Creative Futures, celebrating the best and brightest new talent entering the industry. Here, we talk to design studio A Practice For Everyday Life (APFEL) – which was featured in 2003
The&Partnership worked with the RNIB on this series of ingenious products, which all are based on life hacks created by the blind and partially sighted