Annual Awards 2025 Design Shortlist

For the first time this year, we are releasing shortlists for our Annual Awards, which demonstrate the exciting breadth of creativity and design today. Here you can see all the work that featured in the final jury discussion for the Design section

Creative Review’s Annual Awards have been championing the very best of commercial creativity and design for the past 22 years. We aim to celebrate the role that creativity and design plays in building successful brands and businesses and offer an opportunity to recognise your achievements, praise your team, inspire your colleagues and impress your clients.

For the first time this year, we are showcasing the work that has been shortlisted in the awards for everyone to see. Our judging follows a two-stage process: online judging followed by a panel discussion via video. The work that is featured below is everything that appeared in the online discussion for the Design section.

The Annual Awards are different to other awards schemes in that we only have two types of awards: Winner and Grand Prix. This is so our winners showcase celebrates only the very best work of the year. All the final winners will be announced online and in the Summer issue of our print magazine on May 8. Who would you pick?

DESIGN SHORTLIST

Entrant: Bond; Visit Turku Archipelago, Saaristo (Shortlisted in Brand Identity – Launch)

Saaristo Bond

Entrant: How&How; Wild Thingz (Shortlisted in Brand Identity – Launch)

Entrant: Nari; Living Things (Shortlisted in Brand Identity – Launch)

Living Things Studio Nari

Entrant: Pentagram; Abridge (Shortlisted in Brand Identity – Launch)

Abridge Pentagram

Entrant: Red Antler; Bezi (Shortlisted in Brand Identity – Launch)

Bezi Red Antler

Entrant: Saboteur; Nepal Nature Trust (Shortlisted in Brand Identity – Launch)

Entrant: Studio Blunt; Stavanger Glød AS, Glød Light Festival (Shortlisted in Brand Identity – Launch)

Visual Identity Glod Light Festival

Entrant: Studio Sutherl&; StudioVerb, Ride (Shortlisted in Brand Identity – Launch)

Ride Studio Sutherl&

Entrant: Studio Sutherl&; Bikedot (Shortlisted in Brand Identity – Launch; Editorial Design)

Studio Sutherl& Bikedot

Entrant: W Conran Design; Paris 2024 Comité d’Organisation des Jeux Olympiques et Paralympiques, Design of the Games (Shortlisted in Brand Identity – Launch)

W Conran Design; Design of the Games

Entrant: Wonderhood Design; St Anne’s Church, Sacred Grounds (Shortlisted in Brand Identity – Launch)

Wonderhood Design; Sacred Grounds

Entrant: Collins; The Sims (Shortlisted in Brand Identity – Rebrand)

Collins The Sims

Entrant: Explorers Club; Atlantic Records (Shortlisted in Brand Identity – Rebrand)

Atlantic Records Rebrand

Entrant: JKR; RSPCA (Shortlisted in Brand Identity – Rebrand)

JKR RSPCA

Entrant: Lippincott; Bombardier (Shortlisted in Brand Identity – Rebrand)

Lippincott; Bombardier

Entrant: Madalena Studio; Crucible, Bacteria Branding (Shortlisted in Brand Identity – Rebrand)

Madalena Studio; Crucible, Bacteria Branding

Entrant: Porto Rocha; Nike Run (Shortlisted in Brand Identity – Rebrand)

Porto Rocha; Nike Run

Entrant: Studio Round; Vic’s (Shortlisted in Brand Identity – Rebrand)

Studio Round; Vic's

Entrant: Team, Independent (Shortlisted in Brand Identity – Rebrand)

Team Design Studio; Independent

Entrant: Uncommon Creative Studio; Chelsea FC, Burn Blue (Shortlisted in Brand Identity – Rebrand)

Chelsea FC, Burn Blue

Entrant: Billie Temple Design & Joe Lycett; Orion Books, Joe Lycett’s Art Hole, Special Edition (Shortlisted in Editorial Design)

Joe Lycett's Art Hole book

Entrant: Porto Rocha; Marcelo Gutierrez, Nothing Precious (Shortlisted in Editorial Design)

Entrant: Stockholm Design Lab; Polestar 3, Sensory Perceptions (Shortlisted in Editorial Design)

Entrant: Studio Sutherl&/Pentagram; The Typographic Circle, Circular 22 (Shortlisted in Editorial Design)

Circular 2

Entrant: Underline Studio; Kolectivo San Jacinto, Face. Deface (Shortlisted in Editorial Design)

Face Deface

Entrant: The New York Times & Daisy Chain Studio; New York Times: State of The Times (Shortlisted in In-House)

Entrant: Uncommon Creative Studio; Ecover, The Rewear Chair (Shortlisted in In-House)

Entrant: ManvsMachine; Offf, Lifffe/Ffforms (Shortlisted in Motion Design)

Entrant: ManvsMachine; reMarkable Paper Pro (Shortlisted in Motion Design)

Entrant: Chris Chapman; Agua de Madre (Shortlisted in Packaging)

Entrant: Design Bridge and Partners; Heineken, Spirit of Heineken (Shortlisted in Packaging)

Design Bridge and Partners, Heineken

Entrant: Design Bridge and Partners; Tanqueray, Tanq10 (Shortlisted in Packaging)

Design Bridge and Partners, Tanqueray

Entrant: Kit Studio; London Transport Museum (Shortlisted in Packaging)

Kit Studio, London Transport Museum

Entrant: Not Wieden+Kennedy; Dark Arts (Shortlisted in Packaging)

Not Wieden+Kennedy, Dark Arts Coffee

Entrant: The state51 Conspiracy; The Deer Are Small And The Rabbits Are Big (Shortlisted in Packaging)

The Deer Are Small And The Rabbits Are Big

Entrant: Magpie Studio; January Blues / Brighter Days Are Coming (Shortlisted in Print Design)

January Blues

Entrant: Mother; Wall Street Journal, Missing Articles (Shortlisted in Print Design)

Wall Street Journal Missing Articles

Entrant: The New York Times; The New York Times for Kids (Shortlisted in Print Design)

Entrant: Studio Drama; Mozilla, Mozilla Typeface Superfamily (Shortlisted in Type Design)

Entrant: Alphabetical; Imperial War Museums: Blavatnik Art, Film & Photography Galleries (Shortlisted in Typography)

Imperial War Museum

Entrant: Otherway; Fortnum & Mason / Colophon, Fortnum & Mason Brand Typeface (Shortlisted in Typography)

Fortnum & Mason

Entrant: Pentagram; Skatepal, Haraka Baraka (Shortlisted in Typography)

Haraka Baraka

Entrant: DNCO; Brookfield, Wayfinding at Building 12 (Shortlisted in Wayfinding)

Wayfinding Building 12 DNCO

Please note: The categories in each section are only a guide for entries, there will not be winners in every one. In turn, there may also be multiple winners in a category: our aim overall with the awards is to simply honour the best work of the year chosen by our judges.